FFD 563 | Ders Tanıtım Bilgileri

Georg Simmel (1903), “The Metropolis and Mental Life,” Kurt Wolff (trans.) The Sociology of Georg Simmel (New York: Free Press, 1950), 409424;

Christopher Crouch, Modernism in Art, Design and Architecture (New York: St. Martin’s Press, 1999), “The Cultural Background to the Machine Age”, 1028;

Hilde Heynen, “New Babylon: The Antinomies of Utopia,” Assemblage, No. 29 (Apr., 1996): 2439;

Rosalyn Deutsche, “Uneven Development: Public Art in New York City,” October 47 (Winter, 1988): 352;

Anthony Vidler, Warped Space: Art, Architecture, and Anxiety in Modern Culture (Cambridge, Massachusetts: The MIT Press, 2001), “Agoraphobia”, 2550;

Beatriz Colomina, “The Split Wall: Domestic Voyeurism,” in B. Colomina (ed.), Sexuality & Space (Princeton Architectural Press, 1992), 7398;

Kristine Nielsen, “What Ever Happened to Ernst Barlach? East German Political Monuments and the Art of Resistance,” in Totalitarian Art and Modernity, eds. Mikkel Bolt Rasmussen and Jacob Wamberg (Aarhus: Aarhus Univ. Press, 2010), 147169;

Leo OuFan Lee, “Shanghai Modern: Reflections on Urban Culture in China in the 1930s,” Public Culture 11, No. 1 (1999): 75107.;

Ronald Lee Fleming “The Art of Placemaking: Interpreting Community Through Public Art and Urban Design” (Merrell Publishers, 2007);

Harriet Senie “Critical Issues in Public Art: Content, Context, and Controversy” (Smithsonian Books, 1998);

Cher Krause Knight “Public Art: Theory, Practice and Populism” (Wiley-Blackwell, 2008);

Antawan I. Byrd and Reid Shier “Art Cities of the Future: 21st-Century Avant-Gardes” (Phaidon Press, 2013)